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Joe Buck (Jon Voight) is a naive Texan who comes to New York to make it as a gigolo. He teams up with a scrappy, sickly con man named Ratso (Dustin Hoffman) to take on the unforgiving city. Still the only X-rated movie to ever win a Best Picture Oscar.
Sees prostitution as. a sleazy business for a sleazy world.
Jane Fonda won an Oscar for playing Bree Daniel, a prostitute embroiled in the disappearance of a man who’d been sending her letters. It is one of Fonda’s best-ever performances — and, as directed by Alan J. Pakula, an excellent example of the slow-burn thrillers that ’70s Hollywood did so well.
Sees prostitution as. a reason to be paranoid.
The year 1971 was a busy one for on-screen sex work. Like Fonda, Julie Christie was nominated for Best Actress for playing a prostitute, in Robert Altman’s typically loose and sprawling historical take on the world’s oldest profession. Mrs. Miller (Christie) teams up with McCabe (Warren Beatty) to start a brothel in early-20th-century Washington. Despite suffering from an opium addiction, Mrs. Miller is a savvy businesswoman.
Sees prostitution as. an industry for enterprising spirits.
Xaviera Hollander’s memoir The Happy Hooker was sort of the Fifty Shades of Grey of its day. Fifty Shades did not end up making for a very good movie. The Happy Hooker didn’t either.
Jodie Foster was just 14 when she was nominated for Best Supporting Actress for her role as Iris, a tough-minded, straight-talking 12-year-old prostitute in Martin Scorsese’s gritty classic. Travis Bickle (Robert De Niro) becomes obsessed with trying to protect her, straddling the most human and most violent sides of his personality.
Sees prostitution as. a product of a city’s underbelly.
Brooke Shields’ role as Violet in Pretty Baby is even more scandalous than Jodie Foster’s turn in Taxi Driver . Growing up in the brothel where her mother (Susan Sarandon) works, Violet is sexualized at far too young an age. In one disturbing sequence, Violet’s virginity is auctioned off. The film, which features Shields nude, was deemed “child pornography” at the time. But it had defenders. Roger Ebert wrote that Pretty Baby “itself is not a perverted film: It looks soberly, and with a good deal of compassion, at its period of history and the people who occupied it.”
Sees prostitution as. a corrupting force.
Richard Gere was at the height of his sex-god glory when he played Julian, an escort to rich ladies who loves his life of giving pleasure. until he gets framed for murder.
Rainer Werner Fassbinder’s satire of ’50s West Germany tells the story of Lola (Barbara Sukowa), a prostitute and cabaret performer. She bets the father of her child (Mario Adorf) that she can seduce a commissioner (Armin Mueller-Stahl).
Call girls make for good comedy in Ron Howard’s movie starring Henry Winkler and Michael Keaton as morgue employees who start running a brothel. At one point, Keaton’s Bill tries to define the word “prostitution.” He doesn’t do a great job.
In this ’80s classic, a high school senior (Tom Cruise) gets involved with a prostitute (Rebecca De Mornay) while his parents are out of town. Sex on public transportation and scary run-ins with nasty pimps ensue.
Sees prostitution as. a way for a young man to come of age.
Let’s not mince words: Angel is a piece of exploitative schlock. A Los Angeles teen gets straight A’s at her prep school, but come sundown, works on Hollywood Boulevard. Why? Because she’s been abandoned by her parents. And a serial killer is threatening her life! New York Times critic Vincent Canby couldn’t have said it better: “ Angel will almost certainly turn out to be one of the top sleazemobiles of 1984.” Over 30 years out, that’s still a pretty accurate assessment. Two equally crummy sequels followed.
Pretty Woman is the quintessential “hooker with a heart of gold” movie, but it could have been a lot more depressing. Garry Marshall’s romantic comedy was originally titled 3,000. In that version of the script, Vivian (Julia Roberts) is a drug addict kicked to the curb at the end of the movie. Happily — or not, depending on your opinion — that project morphed into the blockbuster that made Roberts America’s sweetheart. It goes without saying that Pretty Woman romanticizes prostitution. In the world of this film, a streetwalker is just a damsel in distress, waiting to be saved by a man with a cash.
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